An early piece examining anonymity and aliases in dance music. Whilst even in 1992 the concept was not unheard of in other genres, house music was arguably still in its infancy and a number of early producers were taking full advantage of pseudonyms and creative experimentation..
Creative experimentation goes hand in hand with independence..
Once you enter the world of the alias zone you find there are different strategies and experiences of masks and impersonations..
Article originally appeared in Mixmag magazine - October 1992